NewEurasia publishes original research of Tajik curator, art critic and manager Farukh Kuziev
The goal of this critical analysis is to evaluate the phenomenon that has been widely discussed and yet has hardly ever taken place in Tajikistan. Contemporary art in Tajikistan will be discusses here not from the aesthetic point of view, but more in terms of the cultural policies on which it is contingent. The main actors of these policies are curators and art managers. This article will also attempt to draw the line between processes in culture and other sociopolitical tendencies in Tajikistan. I will present opinions and facts as an insider who has been involved in this sector for the last 7 years. I will also bring examples of specific contemporary art institutions such as Dushanbe Art Ground, where I worked for 3 years.
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