Culture and History
“And why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thy own eye?”
Matthew 7:3
Official Uzbek media keep downgrading Tajikistan’s Emomali Rahmon regime by reprinting online critical articles written by journalists who are, in fact, perfect “Uzbek state enemies.”
Nowadays, apart from finding disadvantages and ‘assisting’ in postponing the construction of the Roghun project in Tajikistan, Uzbek media representatives decided to impose themselves as ready-to-analyze independent online sources on the search for as much information as possible that tells of the Rahmon’s regime’s failures and lies.
One of them, Tashkentskaya Pravda (Tashkent Truth) allowed itself to publish an article from Paruskg.info website, which refers to Wikileaks information, entitled, “Apple Does Not Fall Far From The Tree.”
Shamsullo Gulov, author of the ‘kompromat’ starts with calling Wikileaks a “famous web site” that gives opinions of U.S. State Department employees regarding Rahmon’s family seizing control over main industrial and financial facilities in the counrty. Later on, the author says that the information provided by Wikileaks are “concrete facts.”
Well, first of all, the fact of using Wikileaks as a source of information is something out of reality for Uzbek media since Wikileaks itself, based on American diplomatic cables, called Karimov an “authoritarian leader” and linked his regime with the Uzbek mafia. Read the full story »

Musta Kemal striking an Ataturk pose in Turkey's Cankaya Library.
I’m knee-deep in exam season at the moment, studying my level один Russian and writing essays, so I haven’t had the chance to look closely at the Kazakh parliamentary elections. From what I’m hearing, preliminary results are giving Nur Otan party 80.7% of the vote, while two other parties — the business-oriented Ak Zhol and the People’s Communist Party — earned slightly more than 7% each, clearing the threshold to enter parliament. Unsurprisingly, Western press has been mostly negative, but what my inner cynic just finds hilarious is this remark from Miklos Haraszti, head of the OSCE Office for Democratic Institutions and Human Rights’ observation mission: “This election took place in a tightly controlled environment, with serious restrictions on citizens’ electoral rights.” Well, OSCE, I guess all you can really say is: whoops.
However, putting my hypocrisy radar aside for a moment, they’re right. Although I am not so quick to condemn Kazakhstan — as there is usually more than meets the eye to this country, both in good and bad ways — nevertheless, this election definitely was shoddy. My colleague from Ghent University, Dr. Bruno De Cordier has brought to my attention an article in the Washington Times with this telling remark:
“‘Even the government doesn’t hide that they have no intention of copying Western democracies,’ said Lilit Gevorgyan, an analyst and IHS Global Insight in London. ‘I think what they are trying to do is to show that they are responding to social discontent.’”
The article also quotes a taxi driver who refers to most of the so-called opposition parties as “pupils” of the main party. As some of you know, I am currently working on an MPhil at the University of Leuven concerning the phenomenon of managed democracy in Russia and Kazakhstan, so these kind of tidbits are right up my alley.
After Tajik President Emomali Rahmon signed into law a bill “On the responsibility of parents for their children’s upbringing and education” in August, 2011, citizens of the poorest country in Central Asia have mixed feelings — it’s good to make sure their kids will be prevented from going to places where future extremists and fundamentalists are raised. On the other hand, why does the government puts all the religious organizations in one melting pot as if they are going to ‘share’ their negative practices with each other?
To remind, the bill that bans minors from attending religious places of worship, was initiated by the President in December, 2010. It become effective right after it had been published by state media.
Article 8, one of the most contradictory points of the bill, lists parents’ responsibilities, who:
“must not allow children’s particiption in religious organizations’ activities, excluding children officially studying in religious establishments.”
I talked to a few Tajik friends of mine. Here are their opinions: Read the full story »
“The water that serveth all that country is drawn by ditches out of the River Oxus, into the great destruction of the said river, for which it cause it falleth not into the Caspian Sea as it hath done in times past, and in short time all that land is like to be destroyed, and to become a wilderness for want of water, when the river of Oxus shall fail.”
Sometimes I think that people of Uzbekistan with a 28 million population know less about one of the greatest catastrophe in their own country than people worldwide. One of the reasons of it is the governmental propaganda of the successes in the policies towards its citizens. Another one is that the tragedy is being considered as not only the one of Uzbekistan but also of Kazakhstan, neighboring country rich of oil, and, considered as a main responsible side.
I found out about the Aral Sea ecological disaster when I became a freshman in my undergraduate studies. We had an introduction of our class and my then-future fellows introduced themselves. As myself, majority of students were from the capital city of Tashkent. The distribution among provinces represented the wealth and accessibility of the education in the most prestigious university of Uzbekistan: Tashkent, ancient cities of Bukhara and Samarkand were in top three in representation. All of them were telling their mostly enthusiastic live stories and what inspired them to study at the University. Except for one 17 year old guy who looked much older for us: skin on his face was flabby; he had a permanent cough and was breathing very hard; he was so thin and tall that for the rest of our five year education he had been called a “Skeleton”; the manner of speaking was slow but the way of thinking was critical and, as I understood later, more realistic than ours. Read the full story »
Uzbek Parliament’s decision to pass amendment to article 90 of the Constitution, which reduces the length of Presidential term from current seven to five years, is, most probably, the sexiest topic to discuss within different levels of communities in Uzbekistan.
The honorable head of state thought that people’s attention would be drawn to the news on amnesty, not to his political decision to withdraw from the Oksaroy (the Uzbek White House). In fact, amnesty was discussed so many times that it was not an “in-trend” topic of people’s discussions.
On the other hand, political activity in Uzbekistan is so low that people do not really talk much about issues around them, being afraid for their own and relatives’ safety.
When during the 2002 referendum to prolong Presidential term from former four years to nowadays seven years, official propaganda and President himself were calling it a democratic reform to make sure the main reformer would be in power and able to realize all the ‘creative plans and aspirations of the people of Uzbekistan.’
“The practical application in our life of the matters raised in the referendum will be a worthy step in the road of further liberalization of political life. They are an important factor in improving the state administration and political system.”
President Islam Karimov’s interview to local and foreign media, January, 2002
Now, when Presidential initiative to reduce the term of office has passed the puppet Parliament, official mass media calls it a phenomenon that “reflects an objective reality, logics and consistency of the realized reforms; Read the full story »
“On stage, the leader of the nation treks into a nighttime magical forest and begins talking to the trees, which turn into his opponents.” (Associated Press)
On November 24th, a new play proud of autonomy and self-government premiered at Astana’s Palace of Peace, in Kazakhstan. Associated Press describes the play as “…the latest example of the mythologization of the man…”.
“Teren Tamyrlar” (“Deep roots”), written by Playwrite Erkin Juasbek and directed by Nurlan Jumaniyazov, is the new feature presentation that tells the story of 71-year-old Kazakh President Nursultan Nazarbayev. Through theatrics, the story of how — for the past two decades — the leader has risen and developed a nationalized Kazakhstan independent from the former Soviet Union, is told. This is the first time that the Kazakh head of state has appeared in a theater play as a character.
A press release by the National Ministry of Culture, about the play, says:
“Our goal is to communicate to the audience the role of the head of state in the development of Kazakhstan’s independence”.

Sohbet Kasymow was the surprise winner of Turkmenistan's first-ever Eurasia Star contest. Photograph from the Turkmen government. Click on it to see more.
Editor’s note: The Eurasia Star contest has been envisioned by its organizers in Turkey as a Pan-Turkic pop culture spectacle, but it’s been turning out to be a flop in more ways than one. neweurasia’s Annasoltan reports on how in Turkmenistan in particular it’s become a missed opportunity for direct democracy.
Turkish state television station “TRT AVAZ” is running the first-ever “Eurasia Star” song contest that covers much of the Turkic world, including Azerbaijan, Kazakhstan, Kyrgyzstan, Turkmenistan, Turkey, and the Turkish part of Cyprus. Each country must select a representative to compete at the big international round later. Several countries have already completed their selection rounds, and as of this past week, Turkmenistan has selected its vocal champion: Sohbet Kasymow.
Who? According to the official government website, Kasymow is a fifth-year student of the Department of Theater Art of the Institute of Culture of Turkmenistan. This came as a surprise to many in my country, as the selection process seemed, I suppose quite ironically, totally without accountability.
A missed opportunity for direct democracy…
On 19 November, the Turkmen people were expected to vote for their favorite contestants. There were three finalists: besides Kasymow, Atajan Berdyev and Nuryagdy Redjepov. However, I think it’s safe to say that the majority of Turkmen had hoped that one of the popular singers Bilbil Orazowa, Bega or Palwan Halmyradow would win. It should be mentioned that only people equipped with satellite antennas, and therefore who were able to receive Turkish television channels, were even directly informed about the competition (and even among these, few can actually access TRT AVAZ); the rest of the country had to hear about it by word of mouth, if they heard about it at all.
The jury was made up of our government’s favorite singer, Annush Myratduryyev, the head of the Turkmen musicians that participate in official musical festivities, Kerim Ylyasow, and Burak Kurt, a TRT art specialist from Turkey. The candidates had to perform in front of them without the aid of instrumental music. The jurists then voted in a rather blithe manner, by saying simply “yes” or “no” to the candidates (by way of comparison, the annual national music competition, “Yaňlan diýarym”, is decided by a jury of ten people who vote according to a score range of 1-10; the audience, by the way, is totally excluded). Consequently, the contestants had no idea how well they performed vis-à-vis each other.
The vote for the victor was open to the public and conducted via sms. TRT AVAZ did not provide very good instructions for how to do this. I contacted them directly, but their personnel were unable to tell me anything, not even when the voting was supposed to take place. Moreover, no one was able to send their vote directly to the channel; the sms votes were instead collected and counted by the state telecom, Altyn Asyr, and the results then passed onto TRT AVAZ (who, when announcing the victor, very briefly mentioned the final tally). Although just for pop music, this was a lost opportunity to experiment with electronic direct democracy. There wasn’t any transparency to this process, i.e., to confirm that our votes were really obeyed — something we’re used to in Turkmenistan (although, funnily enough, sms-voting is also quite obscure even in American Idol).
Nevertheless, the competition has provided a unique chance for the famous and not-so-famous talents throughout the region. For some of my aspiring countrymen, this has been one of the very few international competitions they’ve been permitted to join, giving them a tantalizing taste of how it would be if Turkmenistan ever ends up participating in the Eurovision contest. And, of course, for everyday people it presented a unique chance for public participation. Perhaps this was all proven illusory, but I nonetheless hope that it will work out better in the future.
…and for Pan-Turkism
Eurasia Star is being organized by Turkey’s largest media group, but undoubtedly it’s proving to be a disappointment as it hasn’t met its target of becoming the Turkic world’s big pop culture event. According to sources within TRT Avaz, it’s been riddled with logistical problems in the arena of information, communication, coordination, and cooperation, not just in Turkmenistan, although our nation’s isolation and official paranoia only complicated matters further.
Turkmenistan’s official news site has been enthusiastic about the competition, and yet, strangely, it’s said not one word about it being organized by TRT Avaz, instead preferring to describe it vaguely as an “international event”. Also odd is the fact that throughout this process so far, there hasn’t been a single joint Turkish-Turkmen television program devoted to the competition. Yet, clips of the candidates were shown on the “Turkmen Owazy” music channel and over the equivalent Turkmen radio channel, while TRT Avaz showed the jury in Turkmenistan selecting the candidates. My own guess is that this was simply bad coordination on both sides’ parts.
As for the rest of the region, TRT AVAZ has not come up with an effective strategy for reaching out to our neighbors, with the exception of Azerbaijan and Cyprus, wherein Turkish TV programs are a normal fixture of media consumption anyway. Although Turkey actually has a lot of experience organizing international competitions, the country’s skills in this arena were not at all evident. The whole thing has been a bungle.
There is a new film in Hollywood that has Uzbekistan written all over it.
The Uzbek and South Korean co-produced film “Hanaan” (meaning “Promised Land” or “Paradise” in Korean) is being screened at this year’s Audi sponsored American Film Institute Festival (AFI FEST), being held from November 3rd to 10th 2011 in the film capital of the world, Los Angeles.
Central Asia News informs that the AFI FEST qualifies for the Short Films category of the annual Academy Awards, as recognized by The Academy of Motion Picture Arts and Sciences. AFI is an independent national non-profit organization, which seeks to preserve the legacy of America’s film heritage and pass it onto future generations, was founded in 1967 by the National Endowment for the Arts.
Read the full story »
Esquire-Russian analyzed UN’s World Population Prospects (2010 revision) and The Economist data and came up with a map that shows a forecast of the extinction of various nations based on the so-called net replacement rate – the average number of girls, delivered by an average woman in a lifetime in a particular country and survived until the end of the reproductive period at these levels.
According to the map, countries which has less than millennium to exist are marked in brown. “Light browned” nations will live in the 3000-3299 years period. “Milky” identifies those who live from 3300 to 3999 years more. “Orange” countries will exist from 4000 to 9999, and those countries colored in “gray” will live for 10,000 or more.
All green countries on the map are the luckiest — they will never disappear, the “immortals.” Read the full story »
Many Westerners view ballroom dance as a stuffy activity in which our parents or grandparents engaged. We have visions of coat tails, long dresses, and couples whirling endlessly around a ballroom floor, barely making eye contact, or even touching each other in any appreciable way. However, anyone who has experienced an international DanceSport competition first-hand knows that the image described above is completely untrue.
For many former professional ballet or modern dancers, DanceSport has become the way to continue dancing after their careers with professional companies have ended. The prize money and sponsorships can be quite large, and the DanceSport circuit is worldwide. But here’s something you might find interesting: over the last five years, Uzbekistan, Kyrgyzstan, and Kazakhstan have emerged as new DanceSport powerhouses, with multiple couples achieving high rankings internationally and new membership in the World Dance Federation.





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