Media and Internet
War; triumph; love; romance; empire; defeat; power; loneliness; togetherness; sacrifice; friendship; honour; homeland; youth; freedom; perseverance; legend.
Move over “Borat”! A new – epic, patriotic, heroic, non-offensive, cultural stimulating and historically perfected – film about Kazakhstan has been shot and put up on screen for the world to learn from and enjoy.
Released in Kazakhstan on May 3rd, the state administered Kazakhfilm Studio introduced “Myn Bala: Warriors of the Steppe“, a movie about Kazakhs overthrowing their Mongolian oppressors. The film was made by well-known Kazakh Director Akan Satayev, at an estimated $12 million, and the film brought in $1 million on its first weekend at the box office. The film’s team includes “Central Asia’s leading DoP Khassan Kydyraliyev (“The Light Thief”), script doctor Claire Downs, editors Nicolas Trembasiewicz (“Transporter”) and Christopher Bell (“The Bourne Ultimatum”) and action consultant Teddy Chen (“Bodyguards And Assassins”).” Moreover, the “Myn Bala” Facebook page (supported by 216 ‘Likes’) informs that the film’s leading roles are played by teenage actors of Kazakhstan, who were chosen from 40,000 hopefuls that showed up to auditions spread through out the country.
Yet another one of British comedian Sacha Baron Cohen’s characters has been banned in parts of Central Asia, based on what one might consider being merits of cultural and political disrespect. First, it was the comical and offensive Kazakh journalist Borat, and now it’s the comical and repressive dictator Admiral General Aladeen of the fictional African country the Republic of Wadiya.
“The heroic story of a dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed.”
“The Dictator,” featuring a “Middle Eastern-style camel-riding tyrant,” is a satirical take on the culture of African governments. But, the film is supposed to be based on former Libyan leader, oppressor and indeed “Dictator”, the late Colonel Muammar Qaddafi. “The Dictator” himself, Admiral General Aladeen, appears clad in a military uniform and is overloaded with award badges. Overbearing sunglasses in place, white gloves assembled and posture perfected – Cohen’s character looks exactly the part and the images and practices of the “Dictatorial” culture of Republic of Wadiya follow suit, too.
By Nicholas Alan Clayton
Dictatorships do not like the spotlight.
For all the state media bombast and extravagant events that autocratic regimes love to feed their own people, the last thing they are interested in is having hundreds of prying foreign eyes digging into the realities that their propaganda glosses over.
Even if only a small portion of their population sees foreign news reports, despots would prefer the international press ignore their countries altogether. They keep visa restrictions high, make foreign press accreditation hard to get and saddle visiting reporters with minders to steer them away from the story and scare the bejesus out of the journalists’ local sources.
It is for this reason that I respectfully disagree with European leaders who are increasingly calling for boycotts and venue changes for international events like the Euro 2012 in Ukraine and the 2014 Ice Hockey World Cup in Belarus due to the hosts’ human rights abuses and democratic deficiencies. Counter-intuitively, hosting international events brings these regimes exactly what they both need and hate: scrutiny, responsibility and sunlight. Read the full story »
A Tajik singer has summed up his support for Russia’s pro-Putin political culture via music.
Tolinjon Kurbanhanov has mixed music, politics and religion in a melodious melting pot, void of separation and flourishing with his own expression. The singer’s music is openly, politically expressive and far from traditionally, culturally Tajik. Kurbanhanov’s two videos, that though are a few months old – are still, to this day, being viewed by thousands.
Kurbanhanov has made a name for himself by praising Russian political figurehead Vladimir Vladimirovich Putin through song. Singer Kurbanhanov’s first song/video about Putin was released on the eve of the presidential elections in Russia, with aims to encourage folks to – say the least – vote for Putin! The song, titled “GDP”, quickly became an Internet sensation after hitting the Web on February 4th. In less than one month, “GDP” was viewed 1.5 million times. And on May 21st, the video clocked in at 1,310,373 views.
The Open Society Documentary Photography Project (http://www.soros.org/initiatives/photography) and Arts and Culture Program (http://www.soros.org/initiatives/arts) announce a grant and training opportunity for documentary photographers from Central Asia, the South Caucasus, Afghanistan, Mongolia, and Pakistan.
The grant is being offered to:
* visually document issues of importance in the region; and
* provide training and support to photographers from the region.
Approximately 10 cash stipends in the amount of $3,500 each will be awarded to photographers to produce a photo essay on a current human rights or social issue in the region. Grantees will participate in two master-level workshops on visual storytelling through photography and multimedia. These workshops are led by internationally-recognized photographers and industry professionals who will then provide ongoing mentorship and support throughout the six-month grant term.
The Open Society Foundations will pay travel and hotel expenses and provide a per diem to cover meals and incidentals for the workshops.
The deadline for proposals is May 10, 2012.
For more information on the grant, please visit:
Marking its 30th year of fostering the development of local media in more than 70 countries, Internews has launched InternewsNext, a year-long celebration of young new voices emerging in media and information around the world. Throughout the year, Internews will feature “30 Under 30,” highlighting media initiatives in communities around the world, working with journalists, bloggers, developers and others under the age of 30 to address the information needs of their communities.
To kick off the celebration, Internews hosted a reception and panel discussion in Washington, DC on May 2 in advance of World Press Freedom Day. The event explored the exciting future of media with young leaders in Central Asia, Afghanistan and the United States who are engaging the next generation using digital media and technology. Internews also introduced its new Internews Center for Innovation & Learning, designed to fuel inquiry, experimentation and learning across the organization’s programs and among its partners.
They say that negative attention is better than no attention at all.
This tagline has been well linked to the comedic and controversial movie Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Borat), which enlightens the audience on the culture of Kazakhstan (among other things), for a long time.
But, in terms of tourism in 2012, the tables are beginning to turn – some negative attention is turning positive, in terms of plane tickets and passports.
Borat is the infamous movie/ mocumentary/ satire/ comedy wherein Sacha Baron Cohen plays the character of Borat (BORДT) Sagdiyev, a “sexist, homophobic and anti-semitic“ Kazakh journalist who travels through the United States, with the goal of meeting Pamela Anderson. Check out neweurasia’s views on all topics (positive and negative) Boart.
Although we all know that Central Asian societies were for generations succoured on Soviet media that was pedagogical and ideological, we often forget what this fully means. Soviet media was often in outright denial, e.g., nary breathing a word about the Chernobyl disaster. It’s my understanding that if you heard a bit too much classical music on the radio meant, there was a crisis: apparently Tchaikovsky’s “Swan Lake” signalled the death of a leader, and was even played on 19 August, 1991, rather prophetically.
Content may change, as well as values, but form persists. In Turkmenistan today, gone is the dream of the “Soviet New Man” (новый советский человек), replaced now with the “Golden Age” (altyn asyr). Here’s a particularly disturbing info-anthropological tidbit: according to Annasoltan and other Turkmen I’ve talked with, TurkmenTV was showing singers performing songs while panic and chaos rained down in Abadan. It seems media forms and informational habits morph, mutate, adapt, in ways those of us who believe in the freedom of the press and information wish they wouldn’t…
Editor’s note: The Turkmen-language Facebook page “JaPBaKLaR”, originally intended as a forum to share popular Turkmen cartoons, has emerged as the biggest Turkmen Facebook community. More importantly, it’s exhibiting some behaviors that seem surprisingly civic. NewEurasia’s Annasoltan reports.
So, first the naysayers: yes, Turkmenistan has got the slowest Internet in Central Asia. The speed for landline Internet a mere 72 KBps, and to get anything faster can cost as much as 7,000 USD (= for “unlimited” access). It also looks like that within my nation, the number of my fellow Turkmenetizens ranges between 80,400 to 127,000, which is roughly 1.5 to 2% of the population.
But for that tiny percentage, the Internet, especially social media, has been a world-transforming experience. Take for example the Facebook page “JaPBaKLaR” (https://www.facebook.com/japbaklar), named after the fictional youngsters of the serial novel by the famous Turkmen writer Berdi Kerbabayew. Would you imagine that here, in such an innocuous place (and remember: Facebook is blocked via landline access) we could expect to see an exhibition of a civic sensibility?
Uzbekistan’s unique accomplishments in theatre and art have been respectfully recognized. On April 5th, the country’s Ilkhom Theatre (“Inspiration” in Uzbek) was prized with the 2011 Prince Claus Award, from the Prince Claus Fund for Culture and Development, for it’s cultural achievements. The Theatre (Ильхом Театр Марка Вайля) is Uzbekistan’s only independent theatre, was the first in the USSR, and today also functions as a school of dramatic art. The award was presented to the Uzbek Ilkhom Theatre, by Dutch Ambassador to Russia, HE Mr Ronald Keller.
In terms of free expression and artistic development, the 2011 Prince Claus Fund was awarded to Ilkhom Theatre for:
“the high quality of its dramatic productions, for creating a space of freedom in a zone of silence, for nurturing and inspiring the younger generations in Uzbekistan, and for upholding the role of theatre as a means of opening minds and stimulating development.”