The Alpamysh epic is not yet finished! Since our last installment, we’ve been editing the last batch of posts. So, if you’re hankering for more steppe legendarium, stick around! And we would also like to remind our readers that this edition of the Alpamysh is based upon H.B. Paksoy’s critical academic edition in English. Go check it out if you’re curious to learn more about the editorial and conceptual history behind the epic. :-)
Although not an official holiday of the European Union, that didn’t stop the European Parliament in Brussels from partying hard to commemorate Nawrúz this year. My friend and colleague Kawa Ahangari, a Kurdish secularist/federalist activist from Iran, has provided NewEurasia with a cache of photos from the event, which saw representatives from across the Iranian-Central Asian world, from Azerbaijan and Iraqi Kurdistan in the west to Tajikistan in the east.
2012 is over — and good riddance! NewEurasia’s Schwartz introduces the new team and the new direction, and wishes for a brighter 2013.
The School of Oriental and African Studies, University of London (Department of Anthropology and Sociology) invites paper proposals for an interdisciplinary workshop: Muslims and Sports (event date: July 2013).
On 20 October, after nearly two years, NewEurasia’s Paksoy’s translation of the ancient Turkic epic “Alpamysh” shall resume! This is a huge undertaking involving a long series of posts over the course of the remainder of 2012.
It’s the academic dénouement in Belgium, and to unwind a little, I went down to Paris this week. Even though the ville de lumière is only two hours away by train and four by bus, this is actually only the second time I’ve been there. Seems I have an incipient knack for stumbling upon Uzbek proprietors outside of Uzebkistan, because on Rue Amelot, I stumbled upon the restaurant/chaikhana “Boukhara” (http://www.resto-boukhara.com [Ed.: The URL appears to be broken. Instead go here.]).
Press release from the OSCE Central Asian Youth Network (CAYN): The Organization for Security and Co-operation in Europe’s (OSCE) Centre in Astana, Kazakhstan is pleased to invite undergraduate students currently enrolled in universities in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan, including students from Mongolia and Afghanistan studying at Central Asian universities to submit applications for competitive selection to attend the OSCE Central Asian Youth Network Seminar, which will be hosted by the OSCE Centre in Astana and held on 4-6 September 2012 in Almaty, Kazakhstan. The seminar will bring together promising students from Central Asian OSCE participating States to enhance…
NewEurasia’s readers are no strangers to the aesthetic art form of Soviet and post-Soviet socialist realism, but are they familiar with its analogue in the Western financial industry? Of course, “capitalist realism”, like socialist realism, is a meta-category, grouping together what are actually a very diverse range of architectural, painting and sculptural styles. Nevertheless, I think there’s something to the concept.
The Open Society Documentary Photography Project (http://www.soros.org/initiatives/photography) and Arts and Culture Program (http://www.soros.org/initiatives/arts) announce a grant and training opportunity for documentary photographers from Central Asia, the South Caucasus, Afghanistan, Mongolia, and Pakistan. The grant is being offered to: * visually document issues of importance in the region; and * provide training and support to photographers from the region. Approximately 10 cash stipends in the amount of $3,500 each will be awarded to photographers to produce a photo essay on a current human rights or social issue in the region. Grantees will participate in two master-level workshops on visual storytelling through…
Although we all know that Central Asian societies were for generations succoured on Soviet media that was pedagogical and ideological, we often forget what this fully means. Soviet media was often in outright denial, e.g., nary breathing a word about the Chernobyl disaster. It’s my understanding that if you heard a bit too much classical music on the radio meant, there was a crisis: apparently Tchaikovsky’s “Swan Lake” signalled the death of a leader, and was even played on 19 August, 1991, rather prophetically. Content may change, as well as values, but form persists. In Turkmenistan today, gone is the…